
Geneseoâs director of creative writing Kristen Gentry on writing â and revising â what you know.
by Robyn Rime
Even back in grade school, Kristen Gentry wrote stories. âI always loved writing because I always loved reading,â she says. âBut it never crossed my mind to think it was something I could actually do. My family is not particularly artistic. My mother was a nurse, my aunt works in a hospital â no one was sitting there saying, âLetâs write a poemâ.â
Gentry is still writing stories. Now an associate professor of English and director of creative writing at 51șÚÁÏÍű, her debut story collection âMama Saidâ will be published by West Virginia University Press in October 2023. The linked short stories spotlight three daughters, all cousins, all coming of age, and all struggling against their mothersâ drug addictions. Focused not on the addicts but on the girls and those who satellite them, the stories trace the ripple effects of addiction on families.
âThe children take center stage,â says Gentry. âTheyâre not just plot points to push the addict to sobriety. You get to see what itâs like â the responsibility, the burden, the embarrassment of having an addict as a parent.â
Although all the stories in âMama Saidâ are rooted in the truth of Gentryâs own familyâs struggles, writing about them was not her original intention. âI myself had to grow,â she says. âI had to realize that my motherâs addiction is also part of my story, for better or for worse.â

Learning to tell your own story is one of the lessons Gentry teaches her creative writing students.
The first step, she says, is to trust yourself. Writing what you know may sound like trite advice, but students find it difficult to follow. âI try to get them to mine their own material,â she says, âbut they either think their lives are normal and basic and not worth writing about, or they think their lives have so much drama that theyâre embarrassed and afraid to write about it. I try to get them to realize their stories are important.â
Trust yourself, then trust the process, says Gentry. Almost all good writing begins with terrible first efforts, but students are often dismayed to discover that a first draft doesnât mean a finished draft. âSo many students want me to tell them their story is great, and Iâm not going to lie,â she says. âWriting is so much about revision. If you keep going at it, it will get better.â
Gentry is adding new dimensions to her own writing experience. She was recently selected as one of ten debut fiction writers for Poets and Writers magazineâs publicity incubator, a series of workshops that provide practical guidance on the business of writing. She works at keeping writing time sacred for herself, participating in a group that helps hold her accountable for making progress. Itâs a challenge, she admits, when teaching can suck up time sheâd like to devote to writing.
But there are days when the words are flowing, when she almost forgets that sheâs writing. The best part, says Gentry, is getting lost, following a character so deep into a story that you surprise even yourself.
âIt feels like youâre watching a movie that youâre creating in real time,â she says. âAnd it doesnât happen all the time. Even if I write every day in a week, it might happen just one day. The rest is a struggle, right? But that one day â that one day, youâre on a high.â